Trainspotting pre-production (ALL LO)
Trainspotting
- Not following the law - larger than life characters
- 1996 - of its time
- Covered guns, drugs and fighting. Over the top version of what was going on in life.
- Danny Boyle - director - £3.5 million budget
- Screen play and screen play writer before a film can be made - John Hodge
- Noel Gay, rights the thhe book, wanted to be co-producer. Problems, different team.
- Pitch idea to investors in order to gain money. Scott Rudin - $250,000 to film anything, investor. But not enough - plus Scott from Hollywood.
- Channel 4 step-up and fund entire film - investor. No money until the rights to the book.
- 2% of the film budget (£30,000), not co-producers, name check in credits and share of profits from film.
- Now team can come and pre-production starts.
- Story board
- Costumes, casting, location scouting, art deparment - look of the film
- Trainspotting 7 weeks. Now 3 - 6 months
- Producer most important component
- Casting first - Ewan McGregor straight on board
- Casting director - negotiating with agents, talent scouting, setting up auditions
- Read through - tweak script, learn about characters
- Location scouts - find bars and resturants in areas where they can then save money
- £500 - £1000 shotting in the bar, taken over bar - pay for days business
- 8am - 8pm - save money where ever they can
- Crue on set from 5am
- Equipment leave at midnight
- Everything is exagerated
- 98% of equipment were cheap items from charity shops
- Oxfam cast offs costums - north face leant all equipment for hiking scene
- Plus lots of their own clothes from the 80s
- Double pay on Saturday and Sunday, shotting only 5 days a week
You mention props and costumes under the production heading, but this actually comes into pre-production. The run up period is actually the pre-production period - it covers all activities before the film is actually shot. It would be good to have a look at the Trainspotting Prezi again for revision.
ReplyDeleteMrs E
done
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